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Painting After the Technique of the Masters
I go everywhere with my digital camera. Sometimes an image I see will inspire a painting, sometimes it is the other way around. With this painting I have a finished image in mind and seek out the appropriate reference images. The hydrangea flowers are my photographs and the Lorenz attractor is a screen shot from a fractal applet. The reference image evolves as the painting progresses. I intend to add an abundance of butterflies. If you look closely, two are morphing from the hydrangea petals already. Many will fly free.

I compose my painting sketch in the almighty Photoshop, adjusting the composition and elements until the image is at it's strongest.

As promised, I've added my envisioned butterflies to my reference sketch. They are morphing (flying) free of the hydrangea petals, eventually to shapeshift again into the Lorenz attractor. Very simply put, the line drawing is a graph of a mathematical formula which 'predicts' the probable outcome of a chaotic system.

Title:   Butterfly Effect (Chaos Theory)
An order so embedded in life that at first it appears to be chaos. Fluctuations in the DNA sequence and, in time, the butterfly diverges from a flower petal. See the beauty of apparent randomness as that butterfly flies from the flower, flapping its wings - the ripple effect of which can cause a hurricane miles away.

Now for the actual painting.

After constructing the frame from 2"x2" douglas fir, stretching and priming the canvas, I cover the canvas in a neutral wash of mineral spirits and oil paint.

After the wash has dried, I sketch the basic outlines (in blue paint) for scale reference. Then, begin quickly blocking in the background and foreground leaves.


Blending the negative space into the leaves...


This stage begins the formation of the flowers where detail becomes more important. I begin with the lightest areas to define the brighter limits of the tonal values. Next, I define the darkest tonal areas. By now, the structure of the petals is defined. Finally, I fill in mid-range tonal values with color.

Blending background colors into the petal color to achieve the illusion of depth and adding texture

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